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Thunder3

M –57
Beaver, West Virginia
United States

 
 

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The Spruce Goose

By Thunder3

The centerpiece or "crown jewel" of the Evergreen Aviation Museum is a plane known around the world as the "Spruce Goose." In July 1942, the world was at war. America had just lost 800,000 tons of her supply ships to German U-boats. Henry Kaiser, famed industrialist and builder of “Liberty” ships, proposed a fleet of flying transports to safely move troops and materiel across the Atlantic. Kaiser approached Howard Hughes with his idea. Together they formed the Hughes Kaiser Corporation and obtained an $18,000,000 government contract to construct three flying boats.

Howard Hughes had an international reputation as an oil and businessman, movie producer, aeronautical engineer and world-class aviator. Henry Kaiser partnered with Hughes because of Hughes' aircraft design and construction expertise. Hughes and his team of skilled engineers designed a single hull flying boat capable of carrying 750 troops. The plans called for eight 3,000 horsepower engines, a mammoth fuel storage and supply system, and wings 20 feet longer than a football field. They called the prototype aircraft the HK-1, standing for the Hughes Kaiser design number one.

Encountering and dealing with tremendous design and engineering problems, the Hughes team developed new concepts for large-scale hulls, flying control surfaces, and complex power boost systems. Hughes engineers created the first "artificial feel system" in the control yoke, which gave the pilot the feeling he was flying a smaller aircraft, but with a force multiplied two hundred times. For example, for each pound of pressure exerted on the control yoke by the pilot, the elevator received 1,500 pounds of pressure to move it.

Adhering to the government mandate not to use materials critical to the war effort (such as steel and aluminum), the Hughes team constructed the Flying Boat out of wood. Hughes perfected a process called "Duramold" to create almost every part of the plane. Originally developed by Fairchild Aircraft Company, Howard Hughes purchased the rights to use Duramold in large aircraft. The Duramold process is a plywood-like series of thin wood laminations, with grains laid perpendicular to each other. Workers permeating the laminations with plastic glue, then they shaped and heated the pieces until cured. The result is a material that many engineers agree is both lighter and stronger than aluminum.

All of the research and development that went into the new seaplane delayed the construction process. In mid 1944, Henry Kaiser withdrew from the project, and Hughes took personal responsibility for all facets of the flying boat's design and production. He renamed the gigantic seaplane H-4, representing his aircraft company’s fourth design.



After the war’s end in 1945, criticism of the project mounted. The Flying Boat prototype had exceeded the government’s funding allowance and the U.S. Senate formed an investigation committee to probe alleged misappropriation of funds. Hughes invested $7,000,000 of his own into the project to keep it going. While Hughes testified before the investigative committee in Washington, D.C., the Hughes team assembled the Flying Boat in the Long Beach dry dock. After his interrogation, Hughes was determined to demonstrate the capability of his Flying Boat. He returned to California and immediately ordered the seaplane readied for taxi tests.

On November 2, 1947, a crowd of expectant observers and newsmen gathered. With Hughes at the controls, the giant Flying Boat glided smoothly across a three-mile stretch of harbor. From 35 miles per hour, it cruised to 90 during the second taxi test when eager newsmen began filing their stories. During the third taxi test Hughes surprised everyone as he ordered the wing flaps lowered to 15 degrees and the seaplane lifted off the water. He flew her for a little over a mile at an altitude of 70 feet for approximately one minute. The short hop proved to skeptics that the gigantic craft could fly!






After the flight, Hughes placed the Flying Boat in its custom built hangar and ordered her maintained in flight-ready condition. She remained in “hibernation” for 33 years at a cost of approximately one million dollars per year. In 1976, after Hughes' death, his holding company - Summa Corporation - made plans to disassemble the historic seaplane into nine pieces for various museums unless a non-profit organization stepped forward to adopt her.

At the last minute Summa made arrangements to donate the aircraft to the non-profit Aero Club of Southern California, which then leased it to the Wrather Corporation, headed by entrepreneur Jack Wrather and his wife, Bonita Granville Wrather. Wrather Corporation moved the Flying Boat to a temporary location while they built a custom dome to place her on exhibit. On October 29, 1980, the Flying Boat emerged from seclusion and into the world’s spotlight. The world's largest floating crane, Herman the German, lifted her onto the dock of the temporary storage area. After sixteen months, the new dome was ready. Floating by barge the Flying Boat moved across Long Beach Harbor then gently eased into her new home, adjacent to the RMS Queen Mary. The Flying Boat exhibit opened to the public in 1983. In the late 1980s, after the deaths of Jack and Bonita Wrather, the Disney Corporation purchased the former holdings of the Wrather Corporation. In March 1990, Disney informed the Aero Club of Southern California of its intention to discontinue the dome exhibit, leaving the Flying Boat looking for yet another home.



The Aero Club requested proposals for custody and preservation of the aircraft based on two specific criteria. The winning organization would have access to land on which to house the Flying Boat and the funding necessary to move and care for her.

Evergreen International Aviation’s plan, as envisioned by Captain Michael King Smith, proposed to not only preserve and protect her, but also to display her as the central exhibit in a living museum. On July 9, 1990, the Aero Club voted unanimously to award custody of the Hughes Flying Boat to Evergreen Aviation, located in McMinnville, Oregon.

Thanks to The Evergreen Aviation and Space Museum

Pushing The Envelope

By Thunder3

Test Pilot Herb Fisher


Herbert O. Fisher is one of those people who generally went unnoticed. That is until he climbed into the cockpit of an airplane. A test pilot for Curtiss Wright since 1937, Fisher’s reputation was such that he was offered many of the company’s more difficult test programs. His work during World War Two was so remarkable, that he was the only civilian pilot to be awarded the USAAF’s Air Medal. This award was pinned onto his suit jacket by President Roosevelt during a special White House ceremony.


With the surrender of Japan, aircraft production contracts were slashed to the bone, with some being cancelled outright. Curtiss was one of the companies whose production slowed dramatically. With much less test flying being done, Fisher and his considerable talents were transferred to the Propeller Division of Curtiss Wright. At the time, much effort was being expended on researching supersonic propellers. Curtiss was investigating ways to overcome the loss of efficiency that accompanies the propeller tips exceeding the speed of sound. If it were possible to engineer a propeller that could maintain its efficiency at transonic speeds, the performance of conventional aircraft could be enhanced significantly. Or, that was the hope at least. Since the early years of the war, propeller technology had advanced considerably. Let’s take some space and review propeller development during the war.

In some respects, Germany had led the way in propeller design by introducing wide, broad chord blade propellers. If one looks at the narrow chord blades of the Luftwaffe’s Bf 109E fighter and compares these to the later Bf 109G, it is readily apparent that the latter’s propeller blades have widened considerable. The earlier VDM, variable pitch propeller worked reasonably well at converting the Daimler-Benz 601 engine’s power into thrust. However, as the weight and drag of subsequent models increased, so did the horsepower requirements. With the increased power came the need to utilize that power in a more efficient manner. Thus, German engineers looked to the propeller design as the solution to getting the power to the road, to use the common metaphor. Ultimately, these engineers decided to remain with three blades, rather than four (or more) as incorporated by British and American designers. It must be assumed that the efficiency of their design did not require more than three blades. Perhaps the penultimate example of the German three-blade design resides in those used on late war fighters such as the Fw 190D and the Ta 152. Indeed, the chord to span ratio of these propellers is dramatic in comparison to the “toothpick” blades used on virtually every fighter in the American inventory through 1942. Another noteworthy observation of the German designs shows us that the propeller blades were not “clipped”, or squared off. The blades have a semi-elliptical trailing edge that tapers to a tight radius at the tip. There can be little doubt that this shape was found to be acceptable. Yet, one must speculate if, somehow, the German designers had missed the boat. Consider the enormous amount of power produced by the late war DB 605A and the Jumo 213A engines, producing up to 1,800 and 2,240 horsepower respectively. Now, compare that with the performance of the fighters in which they were installed. The fastest sub-model of the Bf 109G could do no better than 428 mph. Likewise the much-touted Fw 190D could manage but just 426 mph. When we look at the North American P-51D, we see a fighter that was at least 10 mph faster on 300 to 600 fewer horsepower. Granted, the superlative P-51 was a remarkably low drag design. Nonetheless, had the Germans found themselves on the backside of the power vs efficiency curve again? I believe that we can say that the answer is yes.

Exactly what the process was that led the American propeller manufacturers to develop “high activity”, paddle blade props is uncertain. What is known is that complaints from combat units about poor acceleration and climb caused the aircraft industry as a whole to evaluate how horsepower was being converted into motive thrust. One of the earliest developments saw the installation of “cuffs” at the base of each blade to improve airflow to the engine. These cuffs performed very much like a cooling fan and did aid in reducing the operating temperature of the large radial engines. However, the value of the cuffs was dubious at best when installed on aircraft with liquid cooled powerplants. Indeed, the Aeroproducts prop installed on the P-51K (essentially a P-51D built in the Dallas factory) did not incorporate cuffs and performance was not effected to any measurable degree.


Ultimately, the propeller designers gradually turned to blades of greater chord. Moreover, that chord was extended closer to the propeller hub, blending into the cuffs on the Hamilton Standard 24D50-65 installed on the Mustang. Curtiss Electric props incorporated increased chord, but they narrowed down to the reverse taper of the cuff. By their appearance, the new prop blade designs did present more than a passing likeness to a canoe paddle. Hence the term, “paddle blades”. One striking difference between the American propellers and those of Germany was that the “paddle blades” were more of constant chord taper. Whereas the Germans utilized a more pronounced taper leading to the tip. It might be speculated that the German designers did not want to place the greatest width of the prop near the tip. Reasoning for this may be that it made little sense to do that because of the great loss of efficiency when the tip velocity approached the speed of sound. Therefore, the greatest width of chord can be seen at the mid-section of the blade. However, one must wonder how much thrust was sacrificed by tapering the trailing edge so much when the loss of efficiency was likely no greater with Aeroproducts constant chord, squared tip design. Certainly, by 1944, the Americans and British had not only caught up with the Germans in propeller design, but probably had surged ahead.

After the war, the development of propellers did not cease. Even with the introduction of turbojet powered aircraft, propeller design evolved. The desire to develop a propeller that maintained its efficiency at transonic speeds led the Curtiss Propeller Division to design and test several different concepts. Herb Fisher was the logical choice to fly the test aircraft. Curtiss was able to obtain a P-47D-30-RE from the Air Corps. Fitted with one of several different “supersonic” propellers, Fisher undertook a long and risky flight test program that incorporated high Mach dives from high altitudes. Typically, Fisher would climb above 35,000 ft. He would then push over into a steep dive, allowing his airspeed to build beyond 560 mph (true airspeed). He would then execute a pullout at 18,000 ft. Several of these dives resulted in speeds of Mach .83. However, that was as fast as the P-47 could go.

Despite having a propeller that was designed to be more efficient at these speeds, the fact remained that the drag rise across the prop was so great that it functioned like a giant disk shaped air brake. Fisher had proved beyond any doubt that all previous claims of exceeding the speed of sound while diving a prop driven aircraft were untrue. There is little doubt that the pilots who reported speeds in excess of Mach 1 were honestly and accurately reporting what they has seen on their air speed indicator. However, due to the extreme rate of descent, the pressure differential in the static pressure airspeed indicator lags far behind the actual altitude of the aircraft. Air speed indicators of the era were not designed to cope with descents that could exceed 40,000 feet per minute. This difference between outside pressure and that within the system would indicate wildly ambitious speeds. These pilots had simply been fooled. When we stop and consider that the ultra-sleek P-80A Shooting Star jet fighter was never able to exceed Mach .94, how can anyone believe that a prop driven fighter could even come close?





Fisher would test several different transonic propellers of varying geometry and design. These included scimitar shaped blades and straight, non-tapered blades. What each design had in common was that the blades were razor thin. They were prone to flexing at high aerodynamic and torque loads. Moreover, they suffered severe leading edge erosion at high speeds. This required that the pilot apply power very gently to avoid damaging the fragile blades. That Fisher was able to complete all of this remarkably dangerous testing speaks volumes of not only his engineering talents, but of his extraordinary flying skills as well.

Ultimately, all of Fisher’s test dives provided a great deal of data that was becoming superfluous even while the testing continued. Without question, all future fighter designs would be powered by jet engines. The final attempt to construct a supersonic, propeller driven fighter, Republic’s XF-84H (accurately nicknamed the Thunderscreech), failed to achieve its purpose. Yet, it was without doubt, the fastest prop driven aircraft ever to fly.


Fisher’s propeller work was not limited to transonic props. He also conducted a great deal of testing with reversible pitch designs. It was this testing that produced a safe method of rapid descent for airliners. Flying a Douglas C-54, Fisher would reverse the pitch of all four engines simultaneously. He would then push the nose over and maintain a rate of descent that exceeded 15,000 ft/min., yet forward airspeed was well within normal parameters (200 mph) and there was no decrease in controllability. Fisher wrote that he would be flying at 15,000 ft., three miles from the field and be stopped on the runway in one minute and fifty seconds! This method was demonstrated for Hap Arnold and Dwight Eisenhower in 1948. In total, Fisher performed nearly 200 of these high rate/low speed descents during the program’s life. Herb had developed a usable method of safely dumping altitude in the event of an emergency. Fisher was also instrumental in developing the use of reversing pitch to rapidly slow an aircraft, which allowed them to land safely on shorter runways, and in general, greatly reduce the incidence of runway overruns.





Later, Herb worked with the U.S. Navy performing zero g, vertical dives flying a Grumman F8F Bearcat. The purpose was to explore a dive bombing technique that the Navy thought might be viable. From high altitude, Fisher would nose the F8F into a vertical dive, while simultaneously reversing the propeller pitch. This allowed a controlled vertical dive at rates of descent that varied between 30,000 and 37,000 fpm. Even though the Navy was suitably impressed, with the ascendancy of turbojet powered aircraft, using a propeller for aerodynamic braking rapidly became moot.

Eventually Fisher would leave Curtiss, but continued to work in aviation, becoming one of the country’s most renowned experts on aviation matters. The entire story of his career is just as remarkable as his work with propellers. That story will be told in a major aviation magazine in the near future. For now, the reader need only understand that Herb Fisher was a quiet and unassuming man, who did not seek the limelight. However, he was a giant in his field and a true pioneer of American aviation.


Big THanks to C.C. Jordan and Aviation History for this article
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